Hungarian Dances Nos. 5, 6 and 7 [Alf:36-A883501]

Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms’ (1833-1897) most popular works today, and they were the most profitable for him in his own lifetime also. In 1850, Brahms was introduced to “gypsy-style” music through Hungarian violinist Ede Remİnyi, including the csĦrdĦs “BĦrtfai emlİk” (Memories of BĦrtfa) by Hungarian composer Bİla Kİler, which became the basis for Hungarian Dance No. 5. Arranged for many different instruments and ensembles over the years, this orchestration by Martin Schmeling (1864-1943) of Hungarian Dances Nos. 5, 6, and 7 include numerous optional parts permitting great flexibility to ensembles of different sizes. Instrumentation: Large Orchestra: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3): Str(9-8-7-6-5 in set) or Small Orchestra: 2.1.2.1: 2.0.0.0: Timp.Perc(1-3): Str(9-8-7-6-5 in set).